Wednesday, May 30, 2007

Another old one: written for Valentines Day.

(What was wrong with me?)

People love chopping wood. In this

activity one immediately sees results.

—Albert Einstein

Dear Readers,

A friend of mine was bemoaning

the demise of his relationship at

lunch. Saying that she couldn’t

handle the barrage of neuroticism

that seemed to govern his emotions,

the girlfriend had distanced

herself, claiming a need for time

to regain her sanity and her zenful

outlook on life. “I can change,”

my friend heartfully declared as

his demeanor veered dangerously

between that of a lover purposefully

in pursuit and of a masochistic

addict denied his candy, manifesting

in a waiting room shake.

Watching him flip between hope

and paroxysms brought a quote to

mind: “My initial response was to

sue her for defamation of character,

but then I realized that I had

no character.”

How true, Sir Charles. My friend is

insane, I concluded to myself, returning

to my neglected tuna sandwich.

He tripped on and as his

narrative unfolded, questions arose

from the heartbreak ether; had he

already been touched in the head,

or was it the fault of love? Was

this girlfriend, a woman who I had

witnessed act in manners both full

of adoration and contempt, simply

a pit stop on the raceway of selfloathing

or a succubus spitting out

an emptied nutshell onto the unswept

sawdust floor? Did the end

have to be this terrible? My empathy

laid on the table, as useful as a

magnifying glass to a blind man,

when it hit me…what about me?

Of course you must understand,

intrepid readers, that when I

walked into work that snowy morning,

the biology building was the

solace I was seeking from the worries

that I had stuffed in my mind.

The bills mounting, the engine of

my car failing, and the social life

of a salty slug dying trampled

around my consciousness, robbing

me of sleep. Not to mention,

friends, there were experiments

that called out “do me,” as the lab

meeting loomed like a terrible

storm cloud shaped like my advisor’s

scowling face. Haggard and

head-ached, I got up and decided

that work was the answer. I will

be the fearless ant, thoughtless

except for the task at hand.

What wonders I performed that

morning! A Baryshnikov of biology,

the enthralled crowd would cry.

Yes, my friends, I pirouetted between

pipetting and pouring protein

gels. I painted the chalkboard

with theories and sweet succulent

progress. Oh, how the pantheon

would have been so proud. Galileo,

I am your step-child in heat!

Bach, can you hear this symphony

of exploration? Joyce, you will

sleep in the bosom of my scientific

Dublin! Onward ho!

But hunger and heartache shadowed

my enquiring mind, and now

this. I give the requisite answers

to his imploding heart. I share his

pain, attempt to comfort, knowing

full well my time serves no purpose

but to allow him to stretch out the

pain amongst many parts, dissecting

away until there is nothing left

but memories and empty spaces.

My advice was as good as a handmade

sandwich to a begging wino.

Yes, I know I am being harsh, timid

reader, for what good is a friend to

whom you cannot unburden yourself?

Who else can one rely on?

This world is cold and feeble, with

only the arms of those who care to

hold you up. Will my arms not

break? I have been frigid too long.

Remember, love makes us crystallize

into a caricature. A woman,

work, worries, and even a tuna

sandwich on rye with mustard,

they will all force us to shed the

artifice of ourselves to come to the

core of existence. So enjoy Valentine’s;

find yourself wrapped in

gauzy pink ribbon and in scent of

Hershey kisses, for then we will

meet on the other side, to see

clearly what we have become.

Old Writing for a New Age

(Originally written many years ago for the Grad News, Johns Hopkins: more proof that I'm a horrid writer.)

Few works in modern cinematic history capture perfectly the spirit of a generation. One that embodied the essence of the eighties has gone forgotten for far too long. The work I speak of is the directorial debut of Michael Gottlieb, Mannequin. Relegated to replays on the USA channel and dusty video store shelves, the brilliance of this comedy’s satirical content has been lost to generations since its 1987 release.

When I picked up the cover at the local video store, the tagline spoke to me with the
same resonance as if from the lips of Ollie North, hand raised: “Just because Jonathan’s fallen in love with a piece of wood, it doesn’t make him a dummy.”

Indeed, nothing about this film is stiff (ugh). Andrew McCarthy, playing the role of the young artist Jonathan Switcher, turns in a performance that rivals his subsequent work in 1994’s Dead Funny or the masterful A Father for Brittany, a piece only seen on Australian cable
television. Indeed, if not for his poor decision in choosing films (the awful Joy Luck Club or the critically disdained Mulholland Falls ), his star power surely would have rivaled that of Weekend at Bernie’s co-star Jonathan Silverman.

As Jonathan, McCarthy paints the picture of an artistic soul tormented by the loss of arts funding during the Reagan era who faces the daunting task of finding his humanity in a society
increasingly focused on wealth and selfishness. McCarthy’s character resonates with pathos and frustration as he marches through the apathy generated by a culture of consumerism.

Into his life, Johnathan’s muse reveals herself in the form of a department store mannequin, played by the incomparable Kim Cattrall (of Sex and the City fame). Symbolizing the human necessity for a connection to history as well as love, Cattrall’s “Emmy” is an Egyptian princess trapped within the wooden body of a mannequin who comes to life in the presence of
Jonathan. He starts working at the department store, where Emmy is a display figure, after saving the life of the owner (Betty White).

When Emmy and Jonathan redesign the window displays, the store attracts attention, much to the chagrin of competitors. James Spader plays an executive who challenges the moral limits of audiences as he attempts to sabotage the couple, delving to murderous intent to stop the artistic revelry that has translated into economic success.

Not only is the movie hilarious, with many belly-laugh moments, especially by veteran character actor Meshach Taylor as the flamboyant “Hollywood” Montrose, but the symbolic nature of the script written by Gottlieb is well represented by the able cast. The audience will finish watching the movie overwhelmed with philosophical questions about the role of feminism in American society, Marxist criticism of capitalism, and the idea of the artist as a creator of cultural change.

Several intense scenes will strike the viewer, such as the slapstick homage to great comedic villains by the character Felix (Jonathan Switzer). His performance, with co-star bulldog Rambo,
an obvious inspiration for the Tom Hanks vehicle Turner & Hooch, is amazing in that it melds comedy with a nod to the struggle of animalism faced by modern-day religion.

Arguably the greatest scene of the entire film is the opening animated montage. Reinventing the beginning of a film, usually comprised of set shots with acknowledgements to cast and crew, Mannequin tells the back story of Emmy’s life in Egypt and how she comes to be
cursed with immortality, trapped in the body of a mannequin. Progressing at a furious pace provided by the epic Bangles song Walk Like an Egyptian, the idea of woman as objet d’art is powerfully rendered in the two-dimensional cartoon.

To truly understand the film, one must realize that both Emmy and Jonathan are two souls who have lost their humanity. The transition from animation to wood to flesh is a satisfying journey in reclaiming life via a rocky journey through the landscape of the heart.

This film definitely deserves reviewing by modern audiences. The film, purely on entertainment
standards, is highly enjoyable. Truly Mannequin deserves a spot in the pantheon of great films, alongside classics such as The Money Pit and Adventures in Babysitting. Its true value, however, lies in the film’s scathing recollections on the cultural pitfalls of the 1980’s.

Wrapped in a fairytale love story, we witness the rebirth of meaning in art and life. As the back-cover tagline boldly proclaims, “When she comes to life, anything can happen!”
Watch this with a loved one or with your philosophy club—you won’t be disappointed.

Saturday, May 26, 2007

Doldrums too

They say that no news is good news. No news...that is not good news. Hmm, trying to be clever with a phrase is difficult, much more so than any of my favorite writers make it seem.

Don't you hate it? Bill Simmons or anyone at the Onion churning out those fabulous formed posts, popping fully formed from their huge noggins. I can't make a post in almost a month because I don't really have anything to say.

That's right, I've lost any trace of my voice.

So, until then, I'm going to stay silent. In fact, I was doing just fine until I decided to write this short blurb.

Enjoy the weather, cause the hurricanes' are coming.

a hurricane of words, fools.

Thursday, May 03, 2007

Bit Torrent

Through the magic that is known as the internet, I've been able to listen to many different genres of music that would have been unavailable to me. However, I'm usually stuck to listening to the tracks making the rounds on the blogs or the hot albums that friends send to me.

I've often found that I want to check out more music from a specific artist, but the main roadblocks to checking out a band's discography are the constraints of money, time, and/or bandwidth. Who has time to look for those hard-to-find albums or who wants to spend money on downloads/physical albums that you really don't know if you'll like?

Thus, bit torrent. Yes. Thank you very much.

I've been able to get a hold of the complete discography of disparate artists from Bob Dylan to James Brown, Elvis Costello to Cornelius, and...most excitingly...They Might Be Giants.

I've known their quirky, nerd glorious hit songs that were the rage of the college rock stations in the late 90's. Yet, did you know that they were a Devo-ish band when they first started? Did you know they got jokey after Flood and really sucked? Did you ever listen to their exceptional EP's such as Indestructible Object? Neither did I.

I'm listening to the first album and it isn't bad. It is quite different from "Flood," the album we're most familiar with...

Now, I'm not saying that I'm going to be listening to this album tomorrow...but the real reason for this review is...bit torrent rocks! Hooray one-click downloads of an artist's complete work!